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PERSONAL:
Address: Art Department
Humboldt State University
Arcata CA 95521, U.S.A.
Telephone: 707 826 3443
Fax: 707 826 3628
email: eel1@axe.humboldt.edu
Place of Birth: Rochester, New York, 1943
EDUCATION:
Attended Brown University, 1961-1963
Attended University of Michigan, 1964
B.A. in the History of Art, University of Iowa, 1965
M.F.A. in Creative Photography, University of Iowa, 1968
PRESENT EMPLOYMENT:
Faculty Member, Art Department, Humboldt State University, Arcata,
California, Assistant Professor, photography, 1974-79, Associate
Professor, 1979-1983, Professor, 1983--present
OTHER TEACHING POSITIONS:
1967-1968: Teaching Assistant, University of Iowa, School of Art, Iowa
City, Iowa
1968-1969: Instructor, University of Iowa, School of Art, Iowa City, Iowa
1970-1974: Instructor, University of California Extension, Los Angeles
1971-1972: Instructor, Evening College, Santa Ana College, Santa Ana, California
1973: Visiting Lecturer, University of California Los Angeles
1974: Visiting Assistant Professor, University of Nebraska, Lincoln,
Nebraska
1979: Visiting Artist, Head of Generative Systems Area, School of
the Art Institute of Chicago, fall semester
1980: Visiting Artist, Photography Department, School of the Art Institute
of Chicago, spring semester
1993-94: Visiting Professor, Bilkent University, Ankara, Turkey
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ONE AND TWO PERSON EXHIBITIONS:
1971:
U.C.L.A. Kerckhoff Gallery, Los Angeles (2 person)
1973:
George Eastman House, Rochester, New York
1974:
Focus Gallery, San Francisco, California
Gallery 115, Santa Cruz, California
Centaur Galleries, Montreal, Canada, (2 person)
The Silver Image Gallery, Tacoma, Washington, (2 person)
1975:
Sheldon Memorial Art Gallery, Lincoln, Nebraska
1976:
Lightspur Gallery, Anchorage, Alaska
1977:
Susan Spiritus Gallery, Newport Beach California
1978:
San Francisco Museum of Modern Art
Orange Coast College, Costa Mesa, California
1979:
Bard College, Annandale-on-Hudson, New York
University of Oregon Art Museum, Eugene, Oregon
Palm Gallery, San Diego, California
Images Gallery, New Orleans, Louisiana
1980:
Zolla/Lieberman Gallery, Chicago, Illinois
Focus Gallery, San Francisco, California
Exposures Gallery, Libertyville, Illinois
Ohio State University Art Department Gallery, Columbus, Ohio
1982:
Centric Program, University Museum and Galleries, California State
University Long Beach
1983:
Shadai Gallery, Tokyo, Japan
Northlight Gallery, Arizona State University, Tempe, Arizona
1984:
Los Angeles Center for Photographic Studies, Los Angeles, California
1986:
BC Space, Laguna Beach, California
1988:
Spectrum Gallery, Fresno, California
1990:
Reese Bullen Gallery, Humboldt State University, Arcata, California, “Rescuers”
1991:
Reese Bullen Gallery, Humboldt State University, Arcata, California, “Large Polaroids”
1992:
Todd Madigan Gallery, CSU Bakersfield, California, “20/24 Polaroid
Narrative Prints”
1994:
S.H.C.E.K. Kultur Sanat Merkezi, Ankara, Turkey, “Photographs
of Turkey”
1995:
Humboldt Arts Council Gallery, Eureka, California, “Portrait of
Turkey”
1997:
Craig Krull Gallery, Santa Monica, California, "Sea Life"
1998:
Richard J. Daley Center, Chicago, Illinois, "Portraits and Views
of Turkey"
1999:
"Portrait of Turkey," held in conjunction with annual meeting of Middle East Studies Association annual conference, Washington DC
2000:
"Portrait of Turkey," Southeastern Oklahoma State University, Durant, Oklahoma
"To Save a Life, Stories of Holocaust Rescue" Humboldt State University First Street Gallery, Eureka, California
2001:
"Fish On/No Fish: The Hupa Tribal People and Trinity River Water," Morris Graves Museum, Eureka, California
2005:
"Threads of Vision: Weaving a Life in Photography," Humboldt State University First Street Gallery, Eureka, California
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GROUP EXHIBITIONS:
1968:
“Young Photographers,” University of New Mexico, Albuquerque,
traveled 1968-1969
1969:
“Vision and Expression,” George Eastman House, Rochester, New
York
1970:
“Continuum,” Downey Museum of Art, Downey, California
“Metropolitan Middle Class,” Creative Photography Gallery, M.I.T.,
Cambridge, Massachusetts
“The City of Man,” Bergman Gallery, Chicago, Illinois
“California Photographers,” University of California, Davis and
Pasadena Art Museum
1971:
“Photography Biennial,” Fresno Arts Center, Fresno, California
“Photo Media U.S.A.,” San Diego State Universiy, San Diego, California
“Young Photographers from Los Angeles,” Oakland Museum, Oakland,
California
1972:
Three Person Exhibit, Ohio Silver Gallery, Los Angeles, California
“Contemporary Photography,” Sheldon Memorial Art Gallery, Lincoln,
Nebraska
“New Photographics,” Central Washington University, Ellensburg,
Washington
1973:
“3M Color in Color,” Friends of Photography Gallery, Carmel, California
and Pasadena Art Museum
“Light and Substance,” University Art Museum, University of New
Mexico, Albuquerque
“Emulsion '73,” Civic Art Gallery, Walnut Creek, California
“24 from L.A.,” San Francisco Museum of Art
“Non-Silver Photography,” Friends of Photography Gallery, Carmel,
California
“Magic Machines,” University of California Extension Center, San
Francisco, California, traveled 1973-74
“Exposures,” Womanspace Gallery, Los Angeles, California
“Photo-phantasists,” Florida State University, Tallahassee, Florida
1974:
“Photography Unlimited,” Fogg Art Museum, Harvard University,
Cambridge, Massachusetts
“Four Photographers,” Long Beach City College Art Gallery, Long
Beach, California
“The Photographic Process,” Art Gallery, University of California,
Riverside, California
“Photography '74,” an Added Dimension, Los Angeles County Museum
of Art
“Pensacola Invitational,” Pensacola Junior College, Pensacola,
Florida
“Photography West,” Utah State University, Logan, Utah
“New Photographics,” Central Washington University, Ellensburg,
Washington
1975:
“Women of Photography,” San Francisco Museum of Modern Art, toured
U.S. for two years
“Breadth of Vision,” Fashion Institute of Technology, New York,
New York
“Contemporary Emotions,” Comsky Gallery, Los Angeles, California
“L.A. Light,” Floating Wall Gallery, Santa Ana, California
“Contemporary Photography,” Palo Alto Cultural Center, Palo Alto,
California
California State Fair Exhibit, 2nd place award
1976:
“Photo-Synthesis,” Herbert Johnson Museum, Cornell University,
Ithaca, New York
“Non-Silver Photography,” Vision Gallery, Boston, Massachusetts
“Generative Systems,” Moreau Gallery, St. Mary's Gallery, Notre
Dame, Indiana
“Contemporary Photographic Art,” Rio Hondo College, Whittier,
California
“History of Photography,” G. Ray Hawkins Gallery, Los Angeles,
California
“Animals: A Collection of Photographs,” Amherst College Art Gallery,
Amherst, Massachusetts
“Color Photo I,” Modesto College, Modesto, California
Members Exhibit, Friends of Photography, Carmel, California
1977:
“Survey of Photographic History,” Washington State University,
Pullman, Washington
“Three Photographic Tangents,” Golden West College, Huntington
Beach, California
“The Drama of Process,” Georgia State University Art Gallery,
Atlanta, Georgia
Photography Exhibit, Tasmanian Festival, Tasmanian Museum, Tasmania,
Australia
“Photo-Transformations,” Santa Rosa Junior College, Santa Rosa,
California
“Alternate Processes,” Camerawork Gallery, San Francisco, California
“The Instant Image,” Camerawork Gallery, San Francisco, California
1978:
“Courthouse: A Photographic Document,” American Institute of Architects,
Washington, D.C., toured U.S. and England
“One of a Kind Color: Color of One Kind,” The Franklin Institute,
Philadelphia, Pennsylvania, traveled 1978
“Flora,” Evanston Art Center, Evanston, Illinois
“Style Show,” Arvada Art Center, Arvada, Colorado
“Still Life in Photography,” College of the Redwoods Art Gallery,
Eureka, California
Contemporary Photography Auction and Exhibit, George Eastman House,
Rochester, New York
Optica Gallery Exhibition and Auction, Montreal, Canada
1979:
“Translations,” Herbert Johnson Museum, Cornell University, Ithaca,
New York
Group Show, Silver Image Gallery, Seattle, Washington
“Photo-Generations,” Craft Center, Worcester, Massachusetts
“Attitudes,” Santa Barbara Museum of Art, Santa Barbara, California
“Color,” Moming Gallery, Chicago, Illinois
Friends of Photography Benefit Auction, Christie's East, New York,
New York
“Approaches to Photography,” Amarillo Art Center, Amarillo, Texas
“Alternative Imaging Systems,” Everson Museum, Syracuse, New York
“Electro-Works,” George Eastman House, Rochester, New York
1980:
“Eleven Collection,” Chicago Public Television Benefit Art Auction,
Chicago, Illinois
“20th Century Photographs,” Benefit Auction for Apeiron Workshop,
Phillips Auction House, New York, New York
1981:
“Facets of the Collection: Color and Colored Photographs, 1938-1979,” San Francisco Museum of Modern Art, San Francisco, California
“Still Life,” DBR Gallery, Cleveland, Ohio
1982:
Slo-Scan Exchange of Images, between 12 American artists and Paris
Biennale, 12 American cities and Musee de l'Art Modern, Paris,
France, traveled to Denmark, Norway and Sweden
Three Person Exhibit, Linnfield College Art Gallery, McMinnville,
Oregon
“California and the West,” Cypress College Art Gallery, Cypress,
California
“American Set-ups,” Wright State University Art Gallery, Dayton,
Ohio, traveled to Toledo Museum of Art
“The Alternative Image I,” John Michael Kohler Arts Center, Sheboygan,
Wisconsin
“Photography Biennial,” Museum of Art, University of Oklahoma,
Norman Oklahoma (Purchase Award)
1983:
California Bi-annual Natural History Photographic Competition,
Natural History Museum, San Diego (Purchase Award)
1984:
“American Photography Today 1984,” University of Denver, Arvada
Center for the arts and Humanities, and Boulder Center for the
Visual Arts, Colorado
1985:
“Extending the Perimeters of Twentieth Century Photography,” San
Francisco Museum of Modern Art, San Francisco, California
SF Camerawork Annual Print Auction, San Francisco, CA
1986:
“Commitment to Vision,” Photography at Oregon Gallery, University
of Oregon, Eugene, Oregon, and travels through U.S. through 1989
“With the Land,” University Art Gallery, Sonoma State University,
Rohnert Park, California
SF Camerawork Print Auction
1987:
“Through the Lens: Forty Years of Photography,” Fresno Arts Center
and Museum, Fresno, California
“America's Uncommon Places,” organized by the National Trust for
Historic Preservation, Sumner School, Washington D.C., plus seven
U.S. cities through 1989
“Photography and Art, Interactions since 1946,” Los Angeles County
Museum of Art, Museum of Art, Fort Lauderdale, Florida, The Queens
Museum, Queens, New York, through 1988
“Poetics of Space,” Museum of Fine Arts, Santa Fe, New Mexico
1988:
“Hothouse,” John Michael Kohler Arts Center, Sheboygan, Wisconsin
1989:
“Light and Shadow: 150 Years of Photography,” Printemps Ginza,
Tokyo, Japan
1990:
“Recent Collaborations,” Northlight Gallery, VARI Studios, Arizona
State University, Tempe, Arizona
“Fresh Contexts--An Invitational in Ceramics, Drawings, Photography
and Prints,” Augustana College, Rock Island, Illinois
1991:
“War and Peace,” Alinder Gallery, Gualala, California
Benefit Auction, Houston Center for Photography, Houston, Texas
“U.S. Biennial IV,” Museum of Art, University of Oklahoma, Norman,
Oklahoma (photograph published in catalog)
“Moonrise: Hernandez & Otherwise,” Friends of Photography, San
Francisco, California
1992:
“Concept/construct: Photography in Los Angeles Art 1960-1980,” Laguna Art Museum, Laguna Beach, California, then on tour to Friends
of Photography Gallery, San Francisco, Museum of Fine Arts, Montgomery,
Alabama, The De Cordova Museum and Sculpture Park, Lincoln, Massachusetts,
and Des Moines Art Center, Des Moines, Iowa
“20th Anniversay of the Visiting Artist Program,” University of
Colorado, Boulder, Colorado
“Food and Wine: a Feast in Photographs,” The Alinder Gallery,
Gualala, California
1993:
“American Made: The New Still Life,” Isetan Museum of Art, Tokyo,
June 3 - 15, 1993, Obihito Museum of Art, November 3 - December
19, 1993, Royal College of Art, London, early 1994. Photograph
published in accompanying exhibition catalog/book
1995:
“From Light to Dark: The Look of Photographic Prints,” The National
Gallery of Canada, traveling exhibition, June 1995-May 1996
“Kobe Aid Benefit Exhibition,” organized by Center of Photography,
Tokyo Institute of Polytechnics, Tokyo. Exhibitions at:
Hankyu Department Store, Kobe
Mitsukoshi Department Store, Tokyo
"BC XXIII: Committed to the Light," BC Space Gallery, Laguna Beach,California
1996:
“From Light to Dark: The Look of Photographic Prints,” The National
Gallery of Canada, then traveling in Canada
“Polaroid 50: Art and Technology,” Photokina, Cologne, Germany,
September 1996, and other European venues through 1998.
1997:
"New Realities/Digital Transformations," 1708 Gallery, Richmond,
Virginia
"Invitational Group Show," Spectrum Gallery, Fresno, California
2000:
"Water in the West," (curated by Ellen Land-Weber and Jack Bentley) Humboldt State University First Street Gallery, Eureka, California
"Behind the Redwood Curtain: Women Photographers of Humboldt County 1850-2000," November-December, 1999, Reese Bullen Gallery, HSU, and International Photography Museum, Oklahoma City, February-March, 2000
2004:
"Water in the West," featured exhibit at FotoFest 2004, Williams Tower Gallery, Houston, Texas
"The Nut Museum: Visionary Art of Elizabeth Tashjian," (featuring E. Land-Weber's portrait of Elizabeth Tashjian with her collection) Lyman Allyn Art Museum, New London, Connecticut
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GRANTS:
National Endowment for the Arts Photographer's Fellowships 1975,
1979, and 1982
Unicolor Artist's Support Grant 1982
California State University Distinguished Artist's Forum, Polaroid
20 x 24, 1989
Research, Scholarship & Creative Activity Grant from Humboldt State University to interview multigenerational families in Scotia California for the project "Company Town," 1990
Polaroid Artist Support Program, Polaroid 20x24, 1990, 1992, 1993
Fulbright Senior Lecturer Fellowship, to teach at Bilkent University,
Ankara, Turkey, academic year 1993-94
Research, Scholarship & Creative Activity Grant from Humboldt
State University to produce CD ROM from internet site: TO SAVE
A LIFE: STORIES OF JEWISH RESCUE, 1996
Humboldt State University Scholar of the Year, 2005
SPECIAL PROJECTS:
Photographer for Seagram's Bicentennial Courthouse Project, documenting
county courthouse architecture in U.S.A., 1975-76
Visiting Artist to Visual Arts Research Institute, School of Art,
Arizona State University, Tempe, Arizona; invitation to collaborate
on special edition print, 1986
Photographer for America's Uncommon Places, documenting 16 sites
representing democracy for the bicentennial of the U.S. constitution,
organized by The National Trust for Historic Preservation and
The Society for Photographic Education, 1987
Member of Water in the West photographic collective, documenting
water related issues in Western states, 1994 to present
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PHOTOGRAPHS IN THE FOLLOWING MUSEUM COLLECTIONS:
Bibliotheque Nationale, Paris, France
Shadai Gallery, Tokyo Instiute of Polytechnics, Tokyo, Japan
The National Gallery of Canada
George Eastman House, Rochester, New York
Sheldon Memorial Art Gallery, Lincoln, Nebraska
University Art Museum, Albuquerque, New Mexico
New Orleans Museum of Art
Museum of Fine Arts, St. Petersburg, Florida
San Francisco Museum of Modern Art
Library of Congress
Tasmanian Museum, Tasmania, Australia
University Art Museum, California State University, Long Beach
Art Museum of The University of Oklahoma
Natural History Museum, San Diego, California
Cincinnati Art Museum, Cincinnati, Ohio
Norton Simon Museum, Pasadena, California
Visual Studies Workshop, Rochester, New York
The Polaroid Collection, Cambridge, Massachusetts
The Museum of Fine Arts, Houston, Texas
University of Colorado, Boulder, Colorado
Kiyosato Museum of Photographic Art, Kiyosato, Japan
Center for Creative Photography, Tucson, Arizona
Smithsonian American Art Museum
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PHOTOGRAPHS PUBLISHED IN THE FOLLOWING BOOKS:
VISION AND EXPRESSION, ed. Nathan Lyons, New York: Horizon Press,
1969
CALIFORNIA PHOTOGRAPHERS, ed. Fred Parker, U.C. Press, 1970
LIGHT AND SUBSTANCE, ed. Van Deren Coke, Albuquerque: University
of New Mexico, 1974
3M COLOR, Friends of Photography, 1974
WOMEN OF PHOTOGRAPHY, AN HISTORICAL SURVEY, ed. Margery Mann and
Anne Noggle, San Francisco: San Francisco Museum of Modern Art,
1975
PHOTO/SYNTHESIS, Ithaca: Herbert F. Johnson Museum, Cornell University,
1976
PHOTOGRAPHS, SHELDON MEMORIAL ART GALLERY COLLECTIONS, Lincoln:
Nebraska Art Association, 1977
ALTERNATIVE PHOTOGRAPHIC PROCESSES, Kent E. Wade, Morgan & Morgan,
1978
COURT HOUSE, A PHOTOGRAPHIC DOCUMENT, ed. Richard Pare, New York:
Horizon Press, 1978
POLAROID LAND PHOTOGRAPHY, Ansel Adams, Boston: N.Y. Graphic Society,
1979
THE PHOTOGRAPH COLLECTOR'S GUIDE, Lee Witkin and Barbara London,
portfolio section, Boston: N.Y. Graphic Society, 1979
TRANSLATIONS, Herbert Johnson Museum, Cornell University, 1979
TIME/LIFE PHOTOGRAPHY YEAR BOOK 1980, Alexandria, Virginia: Time/Life
Books, 1980
COLOR, Time/Life Photography Series, 2nd Edition, Alexandria,
Virginia: Time/Life, 1981
PHOTOGRAPHY, Upton and Upton, portfolio section, 2nd edition,
Boston: Little Brown, 1981, 3rd edition, 1985, 5th edition; New
York: HarperCollins, 1993, 6th edition, Addison Wesley Longman,
1997
THE BOOK OF KNOWLEDGE 1981 YEARBOOK, Danbury, Connecticut: The
Grolier Society, 1981
PHOTOGRAPHY, Phil Davis, 4th edition, Dubuque: W.C. Brown, 1982,
and 6th edition, W.C. Brown, 1990
OBJECT AND IMAGE, George Craven, New York: Prentice-Hall, 2nd
edition, 1982, and 3rd edition, Prentice Hall, 1990
THE NEW PHOTOGRAPHY, Catherine Reeve and Marilyn Sward, New York:
Prentice-Hall, 1984
COMMITMENT TO VISION, David Featherstone, Eugene: University of
Oregon, 1986
A SHORT COURSE IN PHOTOGRAPHY, Barbara London, Boston: Little
Brown, first edition, 1987, and 2nd edition, (including cover
illustration), Harper Collins, 1991
PHOTOGRAPHY AND ART, INTERACTIONS SINCE 1946, Andy Grundberg and
Kathleen Gauss, New York: Abbeville Press, 1987
A USERS GUIDE TO THE VIEW CAMERA, Jim Stone, Boston: Little Brown,
1988
EXPLORING COLOR PHOTOGRAPHY, Robert Hirsch, Dubuque: Wm. C. Brown
Co., 1988
NORTHLIGHT GALLERY: RECENT COLLABORATIONS, School of Art, Arizona
State University, 1990
LIGHT AND SHADOW: 150 YEARS OF PHOTOGRAPHY, Tokyo Institute of
Polytechnics, 1990
PROOF: LOS ANGELES ART AND THE PHOTOGRAPH 1960-1980, Charles Desmarais,
Los Angeles: Fellows of Contemporary Art, 1992
TECHNOLOGY AND THE LANDSCAPE, Robert Thayer, UC Davis, 1994
FOTOFEST H2004: CELEBRATING WATER, Wendy Watriss and Fred Baldwin, Houston: FotoFest Inc, 2004
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PHOTOGRAPHS PUBLISHED IN THE FOLLOWING PERIODICALS:
MODERN PHOTOGRAPHY, April, 1973
CAMERA, (Swiss), September, 1973
35MM PHOTOGRAPHY, Winter, 1974
MODERN PHOTOGRAPHY, September, 1974
COLOR PHOTOGRAPHY, 1974 ANNUAL, (by editors of POPULAR PHOTOGRAPHY,
1974
UNTITLED, (Journal of the Friends of Photography), Spring, 1975
AMERICAN HERITAGE, October, 1977
N.Y. TIMES, “Living Section,” October 3, 1979
AMERICAN PHOTOGRAPHER, March, 1979
THE SPOKESMAN, (Cover), December, 1980
NEW WEST MAGAZINE, “Best Bets,” September 8, 1980
NIEUWE REVU, June, 1981
EXPOSURE, (cover), 19:4, 1981
AMERICAN PHOTOGRAPHER, April, 1982
CORONA, Volume 3, publication of Montana State University, Bozeman,
MT, 1983
COLLECTIBLES ILLUSTRATED, May/June 1983, and July/August 1984
GAMES MAGAZINE, October, 1984
BETTER LIVING, Issue III, 1985
THE N.Y. TIMES, Science Section, March 5, 1985
321 CONTACT, October, 1985
MODERN PHOTOGRAPHY, June, 1985
APERTURE MAGAZINE, Volume 103, Summer, 1986
NEW MEXICO MAGAZINE, December 1986
MODERN PHOTOGRAPHY, February 1987, “Seeing Pictures,” feature
article
EXPOSURE 25:3, 1987
KODAK NEWSLETTER FOR PHOTO EDUCATORS, 20:2, 1987
PRESERVATION NEWS, May, 1987
ART AND ANTIQUES, March 1991
PHOTOGRAPHY QUARTERLY, #81, Vol. 20, 2001, "The Artistry of 20x24 Photography" by Phyllis Linnehan
SIERRA CLUB YODELER, "The Many Faces of California's Water," January, 2002
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BOOKS:
THE PASSIONATE COLLECTOR, New York: Simon and Schuster, 1980,
Photographs, Introduction and Text by Ellen Land-Weber, Forward
essay by Walter Benjamin
SELECTED LIST OF REVIEWS OF THE PASSIONATE COLLECTOR:
N.Y. TIMES BOOK REVIEW, July 20, 1980
ART WEEK, September 20, 1980
AFTERIMAGE: October, 1980
CHICAGO READER, November 14, 1980. Illustrated with six photographs.
PEOPLE, “Picks and Pans,” October 20, 1980
ART FORUM, December, 1980
EXPOSURE, 19:3, 1981
MODERN PHOTOGRAPHY, October, 1981
TO SAVE A LIFE: STORIES OF HOLOCAUST RESCUE, by Ellen Land-Weber, University of Illinois Press, Champaign: 2000
Published as CD ROM, 1998
WEBSITES:
TO SAVE A LIFE: STORIES OF HOLOCAUST RESCUE, http://www.humboldt.edu/~rescuers, serialized on the internet
beginning January 5, 1996, Published as CD ROM, 1998
ELLEN LAND-WEBER, THREADS OF VISION: WEAVING A LIFE IN PHOTOGRAPHY, http://www.humboldt.edu/~eel1/exhibit, a portfolio of nine photographic projects
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ARTICLES AND REVIEWS:
“3M Montage,” PETERSEN'S PHOTOGRAPHIC MAGAZINE, May, 1976, pp.
72-76
Editor, SOME VARIOUS PROCESSES, Asilomar, California: Society
for Photographic Education, 1978
“Processes: Copying Machines,” MODERN PHOTOGRAPHY, September,
1980, pp. 100-101
“With Nature's Children; Emma B. Freeman (1888-1928)--Camera and
Brush,” EXPOSURE, 19:3, 1981, pp. 57-58 (Review)
“Half-Life, Photographs by Rosamond Wolff Purcell,” EXPOSURE,
19:3, 1981, pp. 65-66 (Review)
“Darkroom Art,” EXPOSURE, 20:1, 1982 (Review)
“A Collection of Collectors,” PRIME TIME, August, 1980, pp. 64-68
(Illustrated)
“Scotia, a Project in Progress,” JOURNAL OF AMERICAN PHOTOGRAPHY,
2:3, October 1985, pp. 12-15, with 7 photographs
“Very Particular Passions,” with 5 pages of photos, ART & ANTIQUES
MAGAZINE, March 1990
"Images of Altruism," NORTHCOAST JOURNAL WEEKLY, featured cover story, October 5, 2000
"Fish On, No Fish," THE MESSENGER, Spring, 2001, review of exhibition at The Morris Graves Museum
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LECTURES AND WORKSHOPS:
1973:
The Friends of Photography Workshop: The Creative Experience (Lecture)
Summer Series, The San Francisco Art Institute (Lecture)
Ansel Adams Gallery: Women in Photography (Workshop)
1975:
Ansel Adams Gallery: Basic Photography (Workshop)
1976:
Ansel Adams Gallery: June Workshop
Photographic Symposium, Washington State University Museum and
Art Department, Pullman (Lecture)
1977:
Friends of Photography at The Center for Creative Photography,
University of Arizona (Workshop)
Summer Series, The San Francisco Art Institute (Lecture)
1978:
Photography and Society Symposium, Arvada Art Center, Arvada,
Colorado (Lecture)
Ansel Adams Gallery: June Workshop
1979:
Alaska State Museum, Juneau, Alaska (Lecture)
Ohio State University, Columbus, Ohio (Lecture)
Columbia College, Chicago, Illinois (Lecture)
National Conference of the Society for Photographic Education,
Stevensville, New York (Lecture)
1980:
School of Art, University of Iowa, Iowa City, Iowa (Lecture)
University of Illinois, Circle Campus, Chicago, Illinois (Lecture)
Institute of Design, Illinois Institute of Technology, Chicago,
Illinois (Lecture)
1981:
Summer Series, The San Francisco Art Institute (Lecture)
The San Francisco Art Institute: The Copy Machine (Workshop)
Tahoe Photographic Workshop (Truckee, California): The View Camera
(Workshop)
1982:
California State University Art Museum at Long Beach (Lecture)
Fremont Lecture Series, Fremont, California (Lecture)
The Photographer's Association, Peking, The People's Republic
of China (Lecture)
1983:
Visiting Artist, University of Colorado Art Department, Boulder,
Colorado
Visiting Artist, Weber State College, Ogden, Utah
Owens Valley Workshop at University of California Santa Cruz (Workshop)
1985:
San Francisco Camerawork Spring Lecture Series, San Francisco,
California (Lecture)
The International Workshop, Honolulu, Hawaii, (Workshop)
Owens Valley Workshop, Humboldt State University, (Workshop)
1988:
Redwood National Park Photography Beginning and Advanced Workshops
Spectrum Gallery (Lecture)
1989:
Redwood National Park Advanced Photography Workshop
Owens Valley Workshop
1990:
Society for Photographic Education National Conference, Santa
Fe, New Mexico, "Rescuers" (Lecture)
1991:
University of Oregon, School of Art (Lecture)
1992:
Friends of Photography Members Workshop, Mills College, Oakland,
California
1993:
Society for Photographic Education National Conference, Seattle,
Washington, “Recent Work” (Lecture)
1994:
Mimar Sinan University, Istanbul, Turkey, April 7, “Historical
Overview of American Landscape Photography (lecture)
1998:
Biannual Holocaust Studies Conference, Middle Tennessee State
University, Murfreesboro, Tennessee, "To Save a Life: Stories of Jewish Rescue: A Web Published Book" (lecture)
23rd Annual Colloquium on Literature and Film, West Virginia
University, Morgantown, West Virginia, "To Save a Life: Stories of Jewish Rescue: A Web Published Book" (lecture)
2000:
Sacramento City College, "To Save a Life: Stories of Jewish Rescue (lecture)
2001:
Holocaust Genocide Studies Project, Monroe Community College. "The Story of To Save a Life: Stories of Holocaust Rescue," (lecture)
2002:
Gettysburg College History Colloquium, Gettysburg, Pennsylvania. "The Story of To Save a Life: Stories of Holocaust Rescue," (lecture)
2004:
University of Houston, Artists Lecture Series, Houston, Texas. "The Imagined Effects of Climate Change on the Arcata Marsh," Water in the West Panel, in conjunction with FotoFest 2004
Humbolt State University. "Threads of Vision: Weaving a Life in Photography," Scholar of the Year lecture.
PROFESSIONAL ORGANIZATION:
Member, Society for Photographic Education, 1973 to present
National Board Member 1979-1983, Treasurer, 1979-81, Secretary
1981-83
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