"America" (c. 1600); engraving by Jan van der Straet (British Museum).  Peter Hulme comments (in Colonial Encounters, Methuen, 1986):  "In line with existing European graphic convention the 'new' continent was often allegorized as a woman and surrounded with the paraphernalia seen as typically American: parrots, tapirs, bows and arrows, and cannibal feasts.  The sexual dimension of the encounter with Vespucci is both visually and linguistically explicit."

The Empire Writes Back: 

Reading Postcolonial Literatures With and Against the Canon

Like most of my web pages, this will be under more or less perpetual construction, so you should check periodically for updates and revisions.  Here are some basic course materials:

And here are selected Web resources relevant to the texts we're studying. (You may be interested in checking out some additional resources on my English 305, "Postcolonial Perspectives," page.)

Shakespeare's The Tempest

Césaire's A Tempest Conrad's Heart of Darkness Cooper's Last of the Mohicans Vizenor's Bearheart: The Heirship Chronicles