English 424:Communicating in Writing I

Fall, 1995

Professor Thomas Gage

Office: 172 Founders

Class: Tuesday & Thursday 2:00-3:20 PM in room F 179

Room: Founders 179

Off Hrs: Wed. 2-5 or by appointment

Texts: James Moffett's Active Voices II (AVII), Points of Departure (PD), Detecting Growth in Language (DGL)

James Moffett and Kenneth McElhenny's Points of View (PV)

Joseph Williams' Style

California State Department's English Language Arts: Model Curriculum Guide K-8

Requirements: Attendance

Journal

Papers: due Tuesdays, the rough draft of your

paper for the week. Please identify each essay

with your name, the number of the draft, title of

title of assignment, and date. It should be typed on a word processor, double spaced, and titled. Sometimes you will need to have duplicate copies for submitting to response groups on Tuesdays.

Grading: Each paper will be graded but you will not know the grade until the end of the course. You will be able to write each paper a number of times, which may improve the grade. To receive a C or better you must hand in all work, attend all classes, and contribute to each response group. If you are absent, telephone me at 826 3161.

10% for completion of all assignments

10% for attendance and participation

80% for portfolio and final

Course Rationale and Description

The purposes of this course include both improving your writing

and learning how to use writing to learn. The first half of the

semester is devoted to readings along the continuum of the universe of discourse , moving from Notation to Recollection and Investigation to Imagination and Cogitation (as sketched out in the table of contents in PD and PV). The last half of the course is a practicum.

The activities follow generally a pattern of five stages:

bridging, exploration, reshaping, presentation, and reflection.

Bridging is the stage during which you meet information or are

engaged in a planned experience that provides the subject for

future discussions and work. Exploration is the planned time that you have to think and talk about new material in response groups, sometimes after personal exploration in your journals. This stage enables you to register initial, tentative or unfocused ideas about experiences, bringing your private funding to bear on the new situation. Reshaping gives you the opportunity to direct your thoughts towards a desired outcome in your process of learning. The Presentation stage requires you to present your work to interested and critical readers, whether they are your response

group, readers of your folio, or outside audiences. The final

stage of Reflection asks you to consider your work and the extent to which you have reached the objectives of our study or to

consider your experience in relation to the content material.

The above pattern or sequence is often recycled or recursive, so

that our work may appear fragmented but we will all be involved

in an ongoing workshop, struggling to learn how to identify good

writing and acquire the ability to write well.

Much of the class time at the beginning of the course will be

devoted to activities involving response groups,

in which you will study your own composing processes with an

emphasis on exploring ways to use writing as a method of

learning. You will practice prewriting techniques (clustering,

mapping, guided fantasy, free writing, improvisation), drafting,

revising, editing, evaluating, and publishing. You will use a

journal, in which you will record what is happening in class,

what happened after class that you need to remember, and what

happens when teaching and learning writing.

SYLLABUS

note: Please read assignments by first day of unit (i.e. before the day the assignment is listed).

Topic Assigned Readings Deadlines

for class

August 31: Introduction & Competencies

Read Model Curriculum Guide

September 2: Languaging

Read: pages 1-9 in DGL

September 7: Languaging continued

Read: pages 11-19 in DGL

September 9: Recording (Taking Down or Notation)

Read: "A Week in the Life" PD p. 49 &

AVII & "But the One on the Right" page 17 in PV

September14: Dialogue/Correspondence

Read: "Coca-Cola-Grove Press Letters" PD p. 9 &

"The Lady's Maid" p 29 in PV

September 16: Reporting (Looking Back or Recollection- autobiography)

Read: "Besieged" PD p. 118 & "The Use of Force"

p 229 in PV

September21: Reporting (Looking Back or Recollection-Memoir)

Read: "Therese Neumann" PD p. 134 & "My

Side of the Matter" p. 163 in PV

September 23: Reporting (Looking Into or Investigation)

Read: "The General Goes Zapping" PD p. 166 & "The A & P" p. 204 in PV

September 28: Enigmas and AporiasP{}

September 30: Continued:

Read: "In a World of Her Own" PD p. 289

"Johnny Bear" p. 297 in PV

Cogitation & related readings from PD, " "Seeing" PD pages 396

October 5: "The Serpent Power" PD p. 486 & "The Boarding House" p. 457 in PV

October 7: Response Groups

Peruse Autobiography & Memoir in AVII,

October 12: Peruse Investigation in AVII, 79-192

Due: Recollection

October 14: Response Groups

October 19: Assign Cogitation: Peruse student essays, AVII

Response Groups: Investation

October 21: Grammar of Recollection, Investigation, Cogitation

Peruse Cogitation, in AVII and reread "Serpent Power" in PD

October 26: Response Groups: Cogitation

Due: Investigation

October 28: Constellation of Voice

Assign Imagination

November 2: Detecting Growth in English

Response Groups: Imagination

Due: Cogitation

November 4: Discourse Analysis: Tape Transcription due{}

Identifying and prioritizing 3-7 metacognitive moves

Read DGE, pages 34-55

November 9: Paragraphs: pages 53-55.

Collaborative Work: Concept of Voice: Judging Distances{}

Due: Imagination

November 11: Paragraphs: " Serpent Power"

November 16: Workshop

November 18: Sentences

Last date for final draft of Recollection essay.

November 23: Last date for final draft of Investigation essay.

Due: Collaborative Paper{}

November 30: Workshop

Last date for final draft of Imagination essay.

December 2: Ethnographic paper due.{}

December 7: Workshop

Last date for final draft of Cogitation essay.

December 9: Workshop

December 14:

December 16:

Finals: Monday, May 20: 3:00-4:50 PM